Thursday, October 8, 2009
Wednesday, October 7, 2009
Barnes Update #2
The Art Commission approved the design for the new Barnes museum today. I'm rather amazed that they approved it unanimously. NO ONE had a problem with it?!? Come ON people!! Anyway, construction could start as soon as next month.
More on the Barnes...
The Times architecture critic Nicolai Ouroussoff has thrown in his two cents on the discussion about the new Barnes Museum. He was far less diplomatic than Inga Saffron, which I'm rather surprised by. She doesn't usually mince words or cut designs that are lacking any slack.

More photos of the site can be found here...

More photos of the site can be found here...
Monday, October 5, 2009
New Barnes Museum on the Parkway
The Barnes Foundation has finally announced their plans for the new museum which is slated to be built at 21st St. and the Ben Franklin Parkway. Let's put aside the fact that I still have really mixed feelings about the relocation of the Barnes at all. I love its' current setting, in a quiet, tree-lined neighborhood, far away from the craziness of the Downtown Philadelphia area.
I can appreciate, however that it's distance from Center City is a hindrance to its' financial longevity. I get that. SO, on to the new location. I do think that the future home of the Barnes collection is in a great spot - if it has to be moved. I love the idea of growing our museum district on the Parkway. AND, the previous occupant of that parcel of land, the Youth Studies Center (a fancy name for a juvenile prison) just didn't fit. I understand the necessity of having such an institution, and I also understand that no one else particularly wants it, but a prison sandwiched between the majestic main branch of the Free Library and the Rodin Museum?
Anyway, the new design was announced, and Inga Saffron commented on it in today's Inqy. I don't have any particularly strong feelings about the building; it was designed to fit in unobtrusively to the landscape, but it's more than unobtrusive - it's kind of blah. I also wonder why there couldn't be more windows. I mean, I think the LAST thing we possibly need is another cement or brick or whatever box sitting along the street. There are some windows, but they don't quite alleviate the sense of being an impenetrable box, nor can it possibly allow that much natural light in to the gallery itself.
Also, I think they could have done so much more in terms of making sure that the new museum fit in cohesively with the existing landmarks on the Parkway. Hello - they're going from this beautiful building designed by Paul Cret to a box. That's it. I'm actually getting more irritated the more that I think about it. By the way, the French architect Paul Cret designed the building that the Barnes collection currently resides in, AND he designed the Rodin museum, which is essentially right next door to the future home of the Barnes collection. Tod Williams and Billie Tsien couldn't come up with anything better that would somehow bridge the gap between the old and new?
Anyway, I think I need one more trip to the "original" Barnes before it closes for good. As most of my friends know, Impressionist Art is one of - if not my favorite - genre, and I just love being in that space. It will be nice that it's closer to where I live; hopefully the new location won't require a reservation made in advance to see the exhibits!
I can appreciate, however that it's distance from Center City is a hindrance to its' financial longevity. I get that. SO, on to the new location. I do think that the future home of the Barnes collection is in a great spot - if it has to be moved. I love the idea of growing our museum district on the Parkway. AND, the previous occupant of that parcel of land, the Youth Studies Center (a fancy name for a juvenile prison) just didn't fit. I understand the necessity of having such an institution, and I also understand that no one else particularly wants it, but a prison sandwiched between the majestic main branch of the Free Library and the Rodin Museum?
Anyway, the new design was announced, and Inga Saffron commented on it in today's Inqy. I don't have any particularly strong feelings about the building; it was designed to fit in unobtrusively to the landscape, but it's more than unobtrusive - it's kind of blah. I also wonder why there couldn't be more windows. I mean, I think the LAST thing we possibly need is another cement or brick or whatever box sitting along the street. There are some windows, but they don't quite alleviate the sense of being an impenetrable box, nor can it possibly allow that much natural light in to the gallery itself.
Also, I think they could have done so much more in terms of making sure that the new museum fit in cohesively with the existing landmarks on the Parkway. Hello - they're going from this beautiful building designed by Paul Cret to a box. That's it. I'm actually getting more irritated the more that I think about it. By the way, the French architect Paul Cret designed the building that the Barnes collection currently resides in, AND he designed the Rodin museum, which is essentially right next door to the future home of the Barnes collection. Tod Williams and Billie Tsien couldn't come up with anything better that would somehow bridge the gap between the old and new?
Anyway, I think I need one more trip to the "original" Barnes before it closes for good. As most of my friends know, Impressionist Art is one of - if not my favorite - genre, and I just love being in that space. It will be nice that it's closer to where I live; hopefully the new location won't require a reservation made in advance to see the exhibits!
Photos of the Day, 10/3/09
I was on a 'sky' kick yesterday. It was partially the clouds; they were big and fluffy, and looked as if I could just pluck them out of the sky. Later in the day, close to sunset, the clouds were still big and fluffy, but they'd taken on this orange-ish hue that evoked a Maxfield Parrish painting.
The third picture doesn't really go with the first two, but I also love the Philly skyline. This one was taken from S's roof deck. Pretty!
Sunday, October 4, 2009
Photo of the Day, 9/30/09
So, I wasn't supposed to retroactively post photos of the day. BUT, since they're my rules, and rules are made to be broken, I'm going to share a couple of my pics from the last week.
I like this picture because it sort of represents how I feel so much of the time. Life is just whizzing by me, and it's all happening so fast that I don't know what's going on, and I don't know what I'm missing. It's all a blur, but sometimes that's ok. It's almost like squinting your eyes to make something familiar or routine look a little different. It lacks definition, but at the same time, you can appreciate the ability to not focus on the details.
Made in Brooklyn

After a last minute change in plans, I skipped Friday's stitch party at Loop, but I did go to one of the knitting classes that author Jared Flood was teaching today! I'm going to dork out for a minute, and say how much fun it was to go to this class! I don't think I'm ever going to become a regular sweater knitter - I don't have the patience for it, nor do I really want to knit items that really scream "I knit this myself!"
Anyway, it was a fun way to spend part of the day. I met a couple of cool people (and I'm keeping these new friends to myself, kiddo), and I learned a new skill, and I got to avoid irritating familial obligations.
I bought his new book of patterns (and had it autographed), and there are a couple of things that I can't wait to try. But that's all for post-Christmas...
P.S. I think I may have come up with the perfect knitted Christmas gift for that certain friend who likes to tease me for my hobby. I can't wait!!
Friday, October 2, 2009
Photo of the day, 10/2/09
So I was a slacker. I skipped the last two days. Wednesday, I was in such a foul mood that I couldn't even think about taking pictures. Yesterday, I actually took quite a few pictures, but I think they all turned out terribly, so there's no point in posting them.
Today's photo is one of my favorite subjects. For some reason, I always enjoy looking at, photographing, and otherwise studying City Hall. Almost every time I go past it, I'm reminded of how beautiful and majestic it is. This pic was taken on my phone from the back seat of a cab as I was on my way home from S's.

- Posted using BlogPress from my iPhone
Today's photo is one of my favorite subjects. For some reason, I always enjoy looking at, photographing, and otherwise studying City Hall. Almost every time I go past it, I'm reminded of how beautiful and majestic it is. This pic was taken on my phone from the back seat of a cab as I was on my way home from S's.

- Posted using BlogPress from my iPhone
Tuesday, September 29, 2009
Photos of the Day, 9/29/09
I couldn't decide which one to post, so I went with both!

The stairs of the Residence from the ground floor. Anyone who is familiar with Frank Furness' architecture will know that one of his signatures is the use of the exposed 'skeleton' of a building. The steel and rivets used to support the stairs are a focal point of the design, rather than the infrastructure that ends up being hidden.

I just thought this pattern was beautiful - it's a tapestry-like fabric, that evokes the Moroccan tile that I was so obsessed with when I visited there.
The stairs of the Residence from the ground floor. Anyone who is familiar with Frank Furness' architecture will know that one of his signatures is the use of the exposed 'skeleton' of a building. The steel and rivets used to support the stairs are a focal point of the design, rather than the infrastructure that ends up being hidden.
I just thought this pattern was beautiful - it's a tapestry-like fabric, that evokes the Moroccan tile that I was so obsessed with when I visited there.
Subscribe to:
Posts (Atom)